<?xml version="1.0" encoding="utf-8"?>
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  <node>
    <title>Boyd086</title>
    <Collections>Boyd Letters</Collections>
    <Contributor>Boyd Estate</Contributor>
    <Coverage>1977 Dec 10th</Coverage>
    <Creator>Linen Hall Library</Creator>
    <Date>Wednesday, March 16, 2016</Date>
    <Format>TIFF</Format>
    <Identifier>Boyd086</Identifier>
    <ItemDescription>Letter</ItemDescription>
    <Keywords>O&amp;#039;Malley, Lyric</Keywords>
    <Language>English</Language>
    <Path>https://www.niliteraryarchive.com/content/boyd086</Path>
    <Publisher>Linen Hall Library</Publisher>
    <Relation>Linen Hall Library</Relation>
    <Rights>Attribution-NonCommercial-ShareAlike CC BY-NC-SA</Rights>
    <Scannedimage>https://www.niliteraryarchive.com/sites/default/files/Boyd086_1.jpg</Scannedimage>
    <Source>LHL Archive</Source>
    <Transcript>﻿28 Rosetta Avenue
Belfast 7,
Northern Ireland
10th December 1977

To: The Editor,
&#039;The Listener&#039;
BBC Publications,
35 Marylebone High Street,
London WIM 4AA

For favour of publication

Sir,

In your issue of 24th November I read with interest - and appreciation
Mr. Elsom&#039;s article on the Belfast Festival. As a dramatist and
ex BBC producer in Northern Ireland for twenty-five years, and as
honorary director and literary advisor of the Lyric Theatre, I
should likce to comment on two sentences with reference to this
theatre.

The Lyric theatre (I quote Mr. Elsom) &#039;has the reputation in some
quarters of being orientated towards the Republicans&#039;.  &#039;In some
quarters&#039; seems unnecessarily vague. Could Mr. Elsom be more
explicit? If he could, I should be most grateful.

Again, Mary O&#039;Malley is referred to as &#039;sometimes regarded as
Belfast&#039;s Lilian Baylis and sometimes as a confounded nuisance&#039;.
As an Irish writer I should prefer to have Mary O&#039;Malley compared
with Lady Gregory; but this comparison is fair enough, What is
not fair, however, is the &#039;confounded nuisance&#039;. Does the petulance
spring from the same anonymous &#039;quarters&#039; whose political ineptitude
is more than equalled by their artistic turpitude? Once more I
seek illumination.

However, there should now, at last, be great rejoicing in these
&#039;quarters&#039; that so misrepresent Mary O&#039;Malley&#039;s achievement.
After a quarter of a century of strenuously idealistic and successful
artistic activity in Belfast she has now left this city; and her
monument is the Lyric theatre whose achievement, particularly in
the last decade, speaks for itself. As for Mary O&#039;Malley herself,
may I adapt a sentence of Sam Beckett: &#039;Adieu Mary, to whom we owe
so much, share so much, and care so much&#039;. The &#039;quarters&#039; which
will approve of this judgment are all those who have benefited
from the work of the Lyric Theatre.

Yours etc.

(John Boyd)
</Transcript>
    <Type>Text</Type>
  </node>
</>
