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  <title>Item Dublin Core</title>
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  <updated>2026-06-03T00:31:47+01:00</updated>
  <author>
    <name>admin</name>
    <email>niwa@bt48.com</email>
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  <entry>
    <id>1219</id>
    <title>Boyd086</title>
    <updated>Saturday, July 23, 2016 - 13:39</updated>
    <link href="https://www.niliteraryarchive.com/node/%25/atom"/>
    <collections>Boyd Letters</collections>
    <contributor>Boyd Estate</contributor>
    <coverage>1977 Dec 10th</coverage>
    <creator>Linen Hall Library</creator>
    <date>Wednesday, March 16, 2016</date>
    <format>TIFF</format>
    <identifier>Boyd086</identifier>
    <itemdescription>Letter</itemdescription>
    <keywords>O&amp;#039;Malley, Lyric</keywords>
    <language>English</language>
    <path>https://www.niliteraryarchive.com/content/boyd086</path>
    <publisher>Linen Hall Library</publisher>
    <relation>Linen Hall Library</relation>
    <rights>Attribution-NonCommercial-ShareAlike CC BY-NC-SA</rights>
    <scannedimage>https://www.niliteraryarchive.com/sites/default/files/Boyd086_1.jpg</scannedimage>
    <source>LHL Archive</source>
    <transcript>﻿28 Rosetta Avenue
Belfast 7,
Northern Ireland
10th December 1977

To: The Editor,
&#039;The Listener&#039;
BBC Publications,
35 Marylebone High Street,
London WIM 4AA

For favour of publication

Sir,

In your issue of 24th November I read with interest - and appreciation
Mr. Elsom&#039;s article on the Belfast Festival. As a dramatist and
ex BBC producer in Northern Ireland for twenty-five years, and as
honorary director and literary advisor of the Lyric Theatre, I
should likce to comment on two sentences with reference to this
theatre.

The Lyric theatre (I quote Mr. Elsom) &#039;has the reputation in some
quarters of being orientated towards the Republicans&#039;.  &#039;In some
quarters&#039; seems unnecessarily vague. Could Mr. Elsom be more
explicit? If he could, I should be most grateful.

Again, Mary O&#039;Malley is referred to as &#039;sometimes regarded as
Belfast&#039;s Lilian Baylis and sometimes as a confounded nuisance&#039;.
As an Irish writer I should prefer to have Mary O&#039;Malley compared
with Lady Gregory; but this comparison is fair enough, What is
not fair, however, is the &#039;confounded nuisance&#039;. Does the petulance
spring from the same anonymous &#039;quarters&#039; whose political ineptitude
is more than equalled by their artistic turpitude? Once more I
seek illumination.

However, there should now, at last, be great rejoicing in these
&#039;quarters&#039; that so misrepresent Mary O&#039;Malley&#039;s achievement.
After a quarter of a century of strenuously idealistic and successful
artistic activity in Belfast she has now left this city; and her
monument is the Lyric theatre whose achievement, particularly in
the last decade, speaks for itself. As for Mary O&#039;Malley herself,
may I adapt a sentence of Sam Beckett: &#039;Adieu Mary, to whom we owe
so much, share so much, and care so much&#039;. The &#039;quarters&#039; which
will approve of this judgment are all those who have benefited
from the work of the Lyric Theatre.

Yours etc.

(John Boyd)
</transcript>
    <type>Text</type>
    <updateddate>Saturday, July 23, 2016 - 13:39</updateddate>
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