<?xml version="1.0" encoding="utf-8"?>
<>
  <node>
    <title>Boyd010</title>
    <Collections>Boyd Letters</Collections>
    <Contributor>Boyd Estate</Contributor>
    <Coverage>1953 May 28th</Coverage>
    <Creator>Linen Hall Library</Creator>
    <Date>Wednesday, March 16, 2016</Date>
    <Format>TIFF</Format>
    <Identifier>Boyd010</Identifier>
    <ItemDescription>Letter</ItemDescription>
    <Keywords>Esperenza, Goldblatt</Keywords>
    <Language>English</Language>
    <Path>https://www.niliteraryarchive.com/content/boyd010</Path>
    <Publisher>Linen Hall Library</Publisher>
    <Relation>Linen Hall Library</Relation>
    <Rights>Attribution-NonCommercial-ShareAlike CC BY-NC-SA</Rights>
    <Scannedimage>https://www.niliteraryarchive.com/sites/default/files/Boyd010_3.jpg</Scannedimage>
    <Source>LHL Archive</Source>
    <Transcript>﻿28th May, 1953.

Dear St.John,

Thank you very much for sending me Esperanza. What
happened was I asked Goldblatt to let me read it, and he
promptly did so, asking me to return it to him in a day
or so. The result was I read it very quickly and returned
it to him; but I am very glad you sent it to me because
I have now been able to read it carefully.

I find it very exciting indeed: the people springing
at once into life, and the whole atmosphere and action most
convincing. It would, i think, play extraordinarily well,
for it is full of dramatic movement and sound philosphical
reflection. The characters are certainly interesting in
themselves - the Oscotts; Agatha Chope; that lovely girl
Annie Appleyard; and Rennie; and the delightful Stevens,
the steward; and the Rev. Macdonald. All excellent.

The only characters I didn&#039;t wholly believe in were
Crawley and Tripp: to my mind both are overdrawn; your
anti-communism has got the better of you. Haven&#039;t you done
the equivalent of the &#039;bloated capitalist&#039; nonsense perpe-
trated by C.P. writers?

I&#039;m grateful to you for letting me read it: and it has
so much life in it that it is bound to be produced, sooner
or later. If it isn&#039;t it&#039;ll be disgraceful! I&#039;d love to
be at the first night.

You remember I mentioned to you that I would like to
dramatise Mrs. Martin&#039;s Man. Since you left I have been
engaged in doing it, and find that the book falls
naturally into three acts. I have made a first draft of it
and find that the novel was dramatically constructed, and the
characters are a very diversified lot, with Martha of course
coming out the strongest.

If you approve of my proceeding with this I would, of
course, show you the first draft when I get it typed. If
you disapprove, I know you will say so at once.

I have already mentioned to Goldblatt that I was engaged

in this and he says the Group would like to do it.
</Transcript>
    <Type>Text</Type>
  </node>
</>
