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  <title>Item Dublin Core</title>
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  <updated>2026-04-08T22:45:32+01:00</updated>
  <author>
    <name>admin</name>
    <email>niwa@bt48.com</email>
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  <entry>
    <id>1143</id>
    <title>Boyd010</title>
    <updated>Saturday, July 23, 2016 - 13:28</updated>
    <link href="https://www.niliteraryarchive.com/node/%25/atom"/>
    <collections>Boyd Letters</collections>
    <contributor>Boyd Estate</contributor>
    <coverage>1953 May 28th</coverage>
    <creator>Linen Hall Library</creator>
    <date>Wednesday, March 16, 2016</date>
    <format>TIFF</format>
    <identifier>Boyd010</identifier>
    <itemdescription>Letter</itemdescription>
    <keywords>Esperenza, Goldblatt</keywords>
    <language>English</language>
    <path>https://www.niliteraryarchive.com/content/boyd010</path>
    <publisher>Linen Hall Library</publisher>
    <relation>Linen Hall Library</relation>
    <rights>Attribution-NonCommercial-ShareAlike CC BY-NC-SA</rights>
    <scannedimage>https://www.niliteraryarchive.com/sites/default/files/Boyd010_3.jpg</scannedimage>
    <source>LHL Archive</source>
    <transcript>﻿28th May, 1953.

Dear St.John,

Thank you very much for sending me Esperanza. What
happened was I asked Goldblatt to let me read it, and he
promptly did so, asking me to return it to him in a day
or so. The result was I read it very quickly and returned
it to him; but I am very glad you sent it to me because
I have now been able to read it carefully.

I find it very exciting indeed: the people springing
at once into life, and the whole atmosphere and action most
convincing. It would, i think, play extraordinarily well,
for it is full of dramatic movement and sound philosphical
reflection. The characters are certainly interesting in
themselves - the Oscotts; Agatha Chope; that lovely girl
Annie Appleyard; and Rennie; and the delightful Stevens,
the steward; and the Rev. Macdonald. All excellent.

The only characters I didn&#039;t wholly believe in were
Crawley and Tripp: to my mind both are overdrawn; your
anti-communism has got the better of you. Haven&#039;t you done
the equivalent of the &#039;bloated capitalist&#039; nonsense perpe-
trated by C.P. writers?

I&#039;m grateful to you for letting me read it: and it has
so much life in it that it is bound to be produced, sooner
or later. If it isn&#039;t it&#039;ll be disgraceful! I&#039;d love to
be at the first night.

You remember I mentioned to you that I would like to
dramatise Mrs. Martin&#039;s Man. Since you left I have been
engaged in doing it, and find that the book falls
naturally into three acts. I have made a first draft of it
and find that the novel was dramatically constructed, and the
characters are a very diversified lot, with Martha of course
coming out the strongest.

If you approve of my proceeding with this I would, of
course, show you the first draft when I get it typed. If
you disapprove, I know you will say so at once.

I have already mentioned to Goldblatt that I was engaged

in this and he says the Group would like to do it.
</transcript>
    <type>Text</type>
    <updateddate>Saturday, July 23, 2016 - 13:28</updateddate>
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